Prick spur - question mark - found in England from the Viking Age or Anglo-Norman period

 

Goad element of a parade prick spur ? found in England from the Viking Age of possible Slavic origin.

 

'It is hard to make allowances for the oddities of human figures, it is harder still to make rational judgments about the carvings of unidentifiable animals, yet without making the effort we will be continually troubled with the inconsistencies in what we make out of what we think to see'.

'.. but it is quite another matter to assume that the interpretation put upon them in their original culture would also have been carried over'

With these quotes from Rita Wood's book Paradise, the world of romanesque sculpture, I like to start off the first object of this collection of artefacts from the era of the Viking Age. Rita Wood's statements are wise ones. Of course they aren't limited to sculpture of the romanesque period, but are - very much so - needed in the back of the mind when it comes in the ever-going-on interpretation of Viking Age objects.

First of all: excuse for the more than ugly title of this page, addressing this item. It has a reason why, of course, wich I will explain on this page. This is going to be a 'living document' on this object/type of objects, as in- and hindsights are ever developing, as it will show us.

In the beginning..

There was - and still is an utmost intriguing object from copper-alloy, about 60 mm long, 40 mm high and 20 mm wide.. rare, as it is from three-dimensional nature. Depicting a helmeted man with a horn on a horse-like animal, riding it.

Having been found in 2005 or 2006 in England in the East Midlands, Leicestershire in Charnwood - the PAS record https://finds.org.uk/database/artefacts/record/id/125045 isn't conclusive on this, it immediately was a remarkable, important find, wich nevertheless was 'returned to the finder' - to my luck, because of why - for reasons like an ordinary lack of interest towards the object by the finder - was sold on the antiques market.

The record addressed being it the goad of a prick spur, stylistically to the Viking Age and perhaps the 11th century.

Two key arguments I think then excist for addressing this object so. From the 11th century (or: approximately) several 'horse related adornments' - like fittings/strap junctions/deviders, stirrup mounts and terminals and harness pendants have been found the last 20, 25 years often in very elobarate decoration/forms. This kind of horse harness decoration, at least found in England, belongs to the late(r) Viking Age.

Then: a man on a horse with a drinking horn. How much Viking would one have it? Or, is it?

The Searcher's Magazine published the object in 2006 (see image) - and was aroused as could be. Addressing it to a drinking horn. Of course, the object would make quite an impression on a drinking horn. Everybody would drink out of your personalized horn, being a Norse man or viking at the time itself and seemingly being of common practise then. But, is it?

 

The key question is what kind of imagenery we are looking at ?.

 

The PAS record for example is addressing the animal as 'horse or dog?'. Now, it may seemingly feel strange to ride a dog with a horn in your hand, it might have had deliberately so be depicted. The dog having a common known meaning in the imagery related to the rider with its horn. We have to keep all things in mind, as stated very often here, the smith did not left his portfolio for us.

In the PAS record addings since 2005/2006 have been made to recent finds in Seehausen and Mecklenburg Vorpommern. The Seehausen example does resembles the example, found in England. Yes, there is the 'rider' again, holding a horn with somewhat curled, outstreched arms in front of him. The animal not further to be recognized as the front is missing on this piece. Some distinct differencies in my opinion also. I agree on the similar form, but not its distinct decoration. The example found in England I think is of a more crudely casted decoration, hence the same three dimensional casting witnesses for the great skill of its caster. The more crudely casted imagery wich can be recognised on Anglo-Scandinavian items also.

So, a main research question here is:

What seemingly, commonly known - over a larger region - imagery had been used and can it be addressed to imagery known from p.e. mythology?

 

In the PAS record, a link to 10th- to 12th century Slavic four-faced god figurines holding drinking horns has been pointed out (e.g. one from Zbrucz, Ukraine - see link in the PAS record). In several articles - see: References - this depiction had been addressed, too.

Now, first, four-faced god figurines is something different than the one-face figurine we are discussing here.

Another research question wich pops up in my mind is: Isn't the exact meaning of an object not exclusive that one, with wich purpose it was casted in the area it was 1) or found or 2) casted or 3) bought from a trader from p.e. another area?

In other words: having been found in England, is it possible that, to the owner, this depiction might have had it roots in Norse mythology? A man on horse, - if we think of this object as part of a parade - prunkspor, as it is described in German, relating to the similarlike element of the example found at Seehausen - prick spur - the long goad - who had adorned it with such imagenery because it had a special meaning to him?. Of course it must have had, surpassing just having it been an element of practical use.

One could addresses such thoughts both from the perspective of the smith who made the item, as from the receiver/wearer/user of the artefact. Maybe this sounds revolutionary, but I am just throwing a bal up here. Maybe a research question within itself!

Leszek Gardela pointed out to me - in his article The buried warriors of Poland, Lutomiersk unveiled - that parade prick spurs were found in an Slavic late 10th - 11th settlement accompanied with parade/decorative goad elements. These type of goad elements from the Viking Age thus are known from East Europe, especially Poland.

And: of course: leaving aside the question: was the object ever used with the purpose of being part of a prick-spur, as the PAS record states: 'the object has no obvious breaks or signs of fixing it to anything'..

Had the object ever been used, or used just for being 'beautiful', and so never connected to a horses equipment? See for example a sword strap devider where one find of, was used/re-used as a trefoil brooch.

Now, having showed the artefact to James Graham-Campbell, he responded:

I'm afraid that I have to disagree with the PAS record where it states that 'stylistically it belongs to the Viking Age' - and likewise Scott's claim that its 'decorative scheme is clearly Scandinavian'. Why should this be from 11thC rather than the 12th?

and:

For me, the animal-head displays no convincing Scandinavian characteristics - and conical helmets are standard for the 12thC!

Then: If so, and being from the 12th century, could the Charnwood example be of Anglo-Norman origin/use, using a known depiction/decoration from another area. And, if, possibly being of Anglo-Norman origin, imaging the of course, well known imagery of cavalry men, feasting before or afterwards with drinking from a drinking horn, as an image on the Bayeux tapestry clearly shows us.

 

Concluding..

All in all, the primary conclusion appears to be that this element is - used or not - the parade goad of a prick spur, having its only similar counterpart in the example found in Seehausen, although the exact execution when it comes to details, is different (head) and the animal cannot be compared - as it is lacking - on the Seehausen example.

The distinction 'parade' is addressed to me on basis of the information discussed on the Seehausen example and the Lutomiersk finds and on basis of the logical fact that such an adorned goad of a prick spur wouldn't have functioned 'in action' as the point of the goad in my opinion wouldn't have been long/protected enough from the rest of the element to have functioned this way. Set aside that the Charnwood example have no traces of having been attached to the spur (or: whatsoever).

A connection to the Slavic deity Svantevit is debatable, as this god always is depicted with a four sided face. Chronologically it is from the Viking Age, but an exact date/century is still to be addressed.

Maybe future finds will shine more light on this mystery object..

Firmly - 'to be continued'..

 

 

References: (links attached)

 

Gardela, L. The buried warriors of Poland - Lutomiersk unveiled, Medieval Warfare VIII, 2017

 

Conference "Animals and Animated objects in Past Societies" organised at Muzeum Zachodniokaszubskie in Bytów, 15-17 December 2017;

 

Lagane, C.,

 

Les éperons à pointes en Europe non méditerranéenne du VIe au XIIe s. vol. 1 texte (Prick spurs in non Mediterranean Europe, 6th to 12th c. vol. 1 text), 2010;

 

Les éperons à pointes en Europe non méditerranéenne du VIe au XIIe s. vol. 2 annexes (Prick spurs in non Mediterranean Europe, 6th to 12th c., vol. 2)

 

Muhl, A. Der Trinkhornmann von Seehausen, Landesamt für Denkmalpflege und Archäologie Sachsen-Anhalt, Landesmuseum für Vorgeschichte;

 

Ratajczyk, Z., Gardela, L., Kajkowski K., The World on a Spur: Unravelling the Cosmology of the Pagan Slavs - article accompanying a special exhibition at the West-Cassubian Museum in Bytów;

 

Schirren, M., Orakeltrunk oder Walkürengruß? Eine Hand mit Trinkhorn aus Groß-Strömkendorf, Lkr. Nordwestmecklenburg, Materialy zachodniopomorskie, Rocznik Naukowy Muzeum Marodowego w Szczecinie, Nowa Seria, Tom XII, 2016

 

http://www.ancientpages.com/2015/09/13/svantevit-four-headed-war-god-of-the-slavic-peoples-of-central-europe/