January 13th 2015
This week I like to show you a viking sword chape of eastern type. With 'eastern type', this type of sword chape is addressed to the kind of sword chapes mainly found (south)east from Norway.
The image is a representation of a bird in bronze within a scabbard or sword chape. Similar motif are among the exeptional finds from the so called 'Birka excavations' wich took place between 1990 - 1995. The bird images have been identified as falcons (and not, as the salesman of this sword chape was adressing it as one of Odin's raven..).
Motifs of this kind are not exclusive to scabbard chapes and are found on other artifacts from the late Viking Age such as coins, keys, and other forms of metalwork.
Such objects are often linked with the early principality of Russia and the motif has been interpreted as an emblem or coat of arms of Rurik's kin in Novgorod and Kiev. The motif may derive from the Edda, in wich Odin's wife, Frigg, is able to take on the guise of a falcon and fly over the world. The mythical saga motif is thought to have become combined with the aristocratic hunting falcon, producing toem images and coats of arms for one of the leading princely families of Northern Europe.
The sword chape of falcon type imaged here is said to have been found in York. Nevertheless I do not have 'hard evidence' for this, and if found in York, it would represent a unique find of this kind of sword chape within England, as the map of the distribution pattern of these specific falcon type of viking sword chapes beneath this article shows us. With this restriction addressed, it is of course possible within itself that a sword chape made in the eastern Scandinavian area 'travelled' to England, as a sword chape with falcon type motif was found as far as in Normandy...
When showing the falcon type sword chape to Charlotte Hedenstierna-Jonson by mail, she responded:
'The chape from York is a clear Falcon-category chape. This category dates to the 10th century and have mainly been found in Viking urban centres along the Eastern trade route. York is an exception, as is a find from Bretagne. The chapes are most likely connected to warriors that participated in the network between trading centres like Birka, Staraja Ladoga, Gnezdovo, Kiev etc. They are often found in burials, which is not always the case when it comes to chapes. As chapes go they are one of the more extensive groups, but still rare in actual numbers. The motif has been called the Birka falcon as they are most numerous there. This is also the only known place of production, indicated by a mould for casting a similar chape. There was most likely production in other places but we do not know for a fact'.
Björn Ambrosiani, Birka Studies Vlume 5, Excavations in the Black Earth 1990 - 1995: Eastern Connections Part One: The Falcon motif (2001) p. 11-27.
Charlotte Hedenstierna-Jonson, Rus', Varangians and Birka Warriors, chapter Falcon sword-chapes and other artefacts, p. 169 and further. See Figure 95. Scandinavian-Varangian sword-chapes, in accordance with Paulsen 1953, after Arne 1913 link to publication
Charlotte Hedenstierna-Jonson, A group of Viking Age sword chapes reflecting the political geography of the time, Journal of Nordic Archaeological Science 13, pp. 103–112 (2002) link to publication
Michaela Helmbrecht, A Winged Figure From Uppåkra. Fornvännen 107. Stockholm (2012) link to publication
Peter Paulsen, Schwertortbänder der Wikingerzeit, 1953. (available every now and then in antiquarian shops).
See p.17 1. Ortbänder mit germanischen Vogelmotiv and further: p. 22 - 29 Untergruppe b.
Esther Cameron, Sheaths and Scabbards in England AD400-1100 (British Archaeological Reports British Series) Paperback – January 1, 2000
On the subpages above, I will show a digital museum tour alongside my viking artefacts. Besides a detailled describtion, I will place them in their context of how they were used in every day viking life en add references to books where they are published in (or a similarlike example),literature, publications or studies when appropiate.
When I have questions about a type of artefact, I will mention so, and invite everyone to share his opinion.
The joy of collecting artefacts is holding an item + 1000 years old and be able to touch a mystery...
Who made it and for who ? How would the person have looked like who casted it.. ? Who buyed or received it and when ? Who whore it and what did other vikings think of the person who used the item.. where was it made/found (often not known precise). What is the meaning of some decorations on a piece ( we often do not know)..
And not the last.. what would the person to where it belonged to, would think of an middle aged man in Holland, holding it in his hands that 1000+ years later and wondering about al these mysteries... ?
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