The larger stone was discovered amongst the rubble when the east wall was being restored in 1875 and is thought to be a thousand years old.
The larger cross is a fascinating piece of 10th century art. It stands, propped against the wall of the church, exposing a narrow set of panels, each carved with intriguing characters. The topmost panel shows a beast above two figures clasping hands. Beneath the hands is a small table. It is suggested that the figures are a reference to the Biblical story of Abraham and Isaac. Below this panel is one showing a stag with a hound on its back. This hunting theme was a common motif in the Viking period, and may also have had religious intent. The lowest panel is quite beautifully sharp and clear. It shows a large tree, with two figures beneath it. One figure is reaching up to the tree. This has been suggested as a depiction of Adam and Eve in the Garden of Eden. Whilst Adam is without clothes, Eve wears a very fetching skirt! Who wouldn't approach her..
As one sees, running late in October, the light was far from ideal, when I took these photos, so beneath one the right of my photo I have attached photos of someone who was more lucky in making them..
On the left the detail of the stone with Adam and Eve in the Garden of Eden. See the Ringerike style spiral form of the snake approaching the skirt of Eve and also the Ringerike style depiction of the branches with leaves. Compare with the stone in Ringerike style found in churchyard of St. Paul’s Cathedral, London.. The depection on the stone with Adam and Eve may be of a cruder Anglo-Scandinavian form, but it is still recognisable as so.
The fourth stirrup strap mount is a British find and a rare type in the (Anglo-Scandinavian) Urnes style with entwined beasts, measuring 45 mm x 38 mm